Here's an example: There are countless reasons I love salad. First, it's a healthy lunch option. Second, it's easy to prepare. Third, no one steals your salad from the fridge. Each idea here is separated by a transition word that tells us a new reason is coming. It's important that the transitions fit the logic of the work, though. If that last sentence was Third, my favorite food is ice cream, then it's the wrong transition.
In this case, you want something like 'however.' This is effectively a u-turn. Maybe you want to show a counterargument. You can use words like: 'but,' 'although,' 'however,' 'conversely,' 'still,' and 'yet.'
Transition Phrases
So far, we've focused on single words. With transitions, though, you're not limited to single words. This is like the difference between a sign that says 'stop' and one that says 'do not enter.' 'Stop' tells you all you need to know in one word. But what if 'do not enter' was just 'do' or 'not' or 'enter?' That wouldn't be good.
Think about these phrases: 'for example,' 'in other words,' 'in fact,' 'to illustrate,' and 'in particular.' These are like 'also' and 'likewise' in that they help you build upon an idea.
On the other hand, transitional phrases, like 'on the other hand,' can also serve as u-turns. Think about these: 'in contrast,' 'by comparison,' 'in spite of this,' 'be that as it may' and 'forget all that stuff I just said.' Wait, scratch that last one. But those others ones are all good.
Transition phrases can effectively signal to your reader that we're nearing the end: 'in summary,' 'in conclusion,' 'to summarize,' and 'as I have shown.'
Transitional Sentences
After single words and short phrases, there are more complex uses of transitions. In some situations, it's most effective to use transitional sentences to move from one paragraph to the next. Let's look at an example.
Let's say I'm reviewing a movie. I've just spent a paragraph on the ridiculous amount of fog in the movie. Now, I want to discuss the acting. Fog and acting? Those are two distinct topics. Here is the last sentence of the fog paragraph and the first sentence of the acting paragraph:
I'm fairly certain that the movie The Fog didn't have this much fog. The lead actor alternates between a blank stare and an open-mouthed blank stare.
We need a transition here. We could say: 'Meanwhile, the lead actor...' That's ok. But, in this case, when we're connecting such different ideas, a transitional sentence may be better. So, I start the acting paragraph with this: The absurd fog may make it hard to view the scenery, but at least it distracts from the wooden acting. I took two topics and talked about one in relation to the other. Now, I can logically transition to talking about the actors.
Lesson Summary
In summary (hey - see what I did there?), we learned all about using transitions. These are the words, phrases and sentences that connect ideas and sections in all different forms of writing.
First, we looked at transitions that you might find in fiction. These include time-based transitions like 'meanwhile' and 'later.' Next, we looked at transition words that expand upon ideas, like 'also' and 'likewise;' words that indicate order, like 'first;' and words that offer contrast, like 'however' and 'conversely.'
Then we looked at transitional phrases. These include 'for example,' in contrast,' and 'in conclusion.' Finally (again with the transitions), we looked at transitional sentences. These are more complex transitions that can be useful in easing readers between very disparate topics.